La Lettre Pro de la Radio & des Médias - La Puissance du Média Radio


Lundi 5 Août 2019

Imaging and sound, together with engaging content , trusted hosts and personalities, forms an integral part of a forming audience loyalty and brand expansion.
The simple fact that imaging takes up so much of the time in an average hour makes it important.

Imaging adds to content and also adds content. While you can't have your breakfast show and presenters on after every song, imaging then acts as as the common thread in-between in a finely tuned and memorable manner.

In this Q & A with music and radio consultant, Nik Goodman , we look at the use of imaging and sounds to connect with and retain an audience.

How can an imaging producer, use sounds and voice to create a

connection with the listener?
 Connecting with the listener at every opportunity is one of utmost
importance. Every single choice a producer makes has a cumulative
effect and impacts the brand. Therefore whether it’s the choice of
voiceover or the FX [effects] package you are using, or a simple music bed, they
must all be in sync with what we know the target listener will connect
with. Sometimes, not enough thought is put into the basics, and
spending time really understanding what the listener will respond to
favourably is time well spent.

A lot of attention and advice is given to on-air talent [hosts and presenters ] but what are some golden nuggets that you have to give to producers when it comes to using and creating sounds to enhance the content?

I always encourage all producers to try and approach each task as a
creative challenge. How can we communicate what we need to in a way
that will get attention and also reinforce something about the station
or brand?  It’s too easy to go down a tried and tested route when
producing for example, a music image promo. So how do we tell the
story in a new and engaging way? Following the road most travelled
isn’t always the best option. Also, I’m not a fan of ‘fashion over
function’. Making something sound great without it actually delivering
the message is of no use at all.
Often simplicity is the ultimate sophistication.

How do Brand Managers and Imaging Producers balance each other out to best create, execute and maintain the overall objective?

Ultimately the brand manager is usually part of the senior team who
are developing the strategy of the business and station. The imaging
producers, at every level, then need to find a way of sonically
interpreting that strategy and making audio that will appeal to the
target and enhance the brand position. The Head of Imaging needs to
fully understand the brand objectives and have detailed discussions
with any brand manager about what the ‘brand sound’ will be. It’s
their job to convert that vision into sound. Good imaging producers
can do that with ease and a display a creative flair in doing so.

Are there ' essential tools' and programs needed to create compelling/engaging audio or is imagination as important when sound designing?
Every great imaging producer that I have worked with has a good
balance of technical abilities and creative skills. You don’t need to
have the best technical knowledge and know every plug-in available to
be a great producer.
All the best FX [effects] packages or compression settings
in the world aren’t going to make a poor idea good.
Similarly, you need enough skill to technically know how to make a creative idea come
to life.
For example, if I say I want to set a morning show promo on
the moon, they need to know how to achieve that sound instantaneously.
There are some producers who are technical specialists and their role
is not necessarily to have ideas, but to execute other people’s ideas.
There’s a place for them too. And they really do know all the best

Is there a formulaic approach when it comes to creating imaging or is every case different ?
I always approach any piece of work by asking what we want to achieve
with it. What’s the message? What do we want listeners to take away
from this piece of audio? That can then help you with structure.
Different objectives require different approaches,so there really
isn’t a ‘one size fits all’ approach. I wish there was a magic
formula! But often formulas leads to a lack of creative ambition - and
that’s not good for any radio station. Creativity should always be at
the core of what we try and do with imaging and production.

Advise to stations on creating memorable 'sonic moments '
Do something that will create attention. Many pieces of audio wash
over the listener, but what will make them lean forward and turn the
radio up? Tell stories. Write great copy. Use silence. Think big.
Speak the league do the listener, not of a radio producer. All these
kind of techniques can help turn an average piece of audio into
something more significant and create a memorable sonic moment.
And ensure as a producer, you tolerate the discomfort of not having it
quite right yet. Too often producers rush their work to get it
finished. Allow time for great ideas to grow. Creativity is not a race
to the finish line.
Nik started his career in radio working alongside the legendary record producer, Pete Waterman at Radio City in Liverpool during the late 1980's.
His roles in radio have included being a producer, on-air presenter, Music Director at Virgin Radio, Executive Producer at Kiss 100 and Programme Director at 95.8 Capital FM.
Find him here : 

Andy Leve
Andy Leve is an Independent South African Television Producer, Radio Host and Producer and... En savoir plus sur cet auteur

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